Who said that literary horror is dead? If it is, then Grady Hendrix must be some kind of necromancer, since his jaunty and twisted tales of terror have been ripping through bestseller lists since 2014’s IKEA killer Horrorstör became a fixture on Tarva nightstands and Billy bookcases. His latest novel, Witchcraft for Wayward Girls, heads to the sweaty oppression of 1970s Florida as a group of young women find themselves confined to the Wellwood Home for unmarried mothers and discover the tools to their liberation in an occult tome. – Richard Whittaker