Inside the screenplay for Demolition Man – 1993’s gonzo sci-fi action crime flick – there are two wolves. One is a script by the then-unknown Peter Lenkov, who pondered how a world without crime would contend with our modern plague of violent crooks and equally trigger-happy cops. The other is a tacky crowd-pleaser from Hudson Hawk writer Daniel Waters, bereft of political insight but filled with product placement, baffling humor, and a lumpen Sylvester Stallone completely oblivious to Wesley Snipes vamping like a maniac. Is a star-making turn from Sandra Bullock enough to save it from getting the three-seashells treatment? Join hosts Eric Samaniego and Wright Sulek as they ask whether this bafflingly beloved film should go back into cryojail. – Richard Whittaker