Austin Film Society, Austin Asian American Film Festival, and Japan-America Society of Greater Austin’s specifically shaded exploration of Japanese exploitation flicks, Pink Cuts, continues with a playful entry in one Masayuki Suo’s filmography. The Shall We Dance? director’s debut feature film uses cinematic techniques tributing Yasujirō Ozu (Tokyo Story) for this raunchy family story where an older brother’s new wife and her “modern values” spur an entire family into various romantic romps. – James Scott
