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Best Visionary Change on the 40 Acres

Landmarks

Best Visionary Change on the 40 Acres
Shelley Hiam

Once the 20th century started, the clock pretty much stopped on what we had to look at besides buildings on UT's campus – realistic statuary (chiefly of dead white guys) and little else. Since 2008, that's all changed as Landmarks, the public art program directed by Andrée Bober, has been seeding the 40 acres with abstract and conceptual artworks from the last 65 years. The dynamic shapes and colors of the pieces – which include 28 sculptures on long-term loan from the Metropolitan Museum of Art, Mark di Suvero's huge, red Clock Knot, a Sol LeWitt wall painting and sculpture, and Ben Rubin's luminous textual tribute to Walter Cronkite – transform the spaces they're in and open our eyes to the campus in new ways. The October debut of a James Turrell Skyspace on the Student Activity Center rooftop has us looking forward, much as Landmarks does all the time.