Todd V. Wolfson
Despite the disparity in economies of scale (local atelier vs. national chain), the window designers working at these shops are c'est magnifique. First there's Aaron Flynn, whose visual signatures (geometry, animalia, unjustifiably unexpected visual combos) are all over the heart of darkness we call Blackmail. And then there are the Anthropologie window dressers, who receive a style profile and a load of raw materials to play with and develop. Getting that job requires a hard-hitting résumé and rounds of interviews ... we're still waiting for our callback.
