It would be easy enough to let Alan Pogue's credentials speak for themselves - New York Times Magazine, Boston Globe, Washington Post, L.A. Times, Texas Monthly, and various Japanese publications, to name a few. But credentials don't tell the story of stark images, captured on film, and preserved with Pogue's discerning eye, one that hasn't blinked since he left Vietnam in 1968. As politically and socially active as he is talented, Pogue does not shy from personal involvement with the causes he believes in, giving his photos distinct and memorable character.
